In the first version of this work, both real-time processing of the instruments and playback of fixed media are employed. Only the following four performers are routed for real-time processing: soprano, percussion I, percussion II, and percussion III. The electronics are realized using two Apple laptop computers, designated “principal” and “sub.” The principal laptop is integrated into the audio console, while the sub laptop is placed on stage and connected to a power amplifier driving the transducers. The two laptops communicate via OpenSoundControl (OSC), allowing the sub program to be controlled and monitored from the principal laptop. The fixed-media audio is organized into nine-channel sound files, which are divided into two functional groups according to channel assignment : - one group is projected exclusively over the loudspeakers - the other is projected via five transducers and their associated support loudspeakers. The five transducers are each attached to one of five tam-tams positioned around the ensemble (three of these tam-tams are also played by the percussionists). The principal program, integrated into the audio console, is responsible both for the real-time processing of the instruments and for the playback of the sound files. The sub program is dedicated solely to the diffusion of the sound files. It accesses the same nine-channel sound files as the principal program; however, only channels 1–5 are routed to the outputs of the sub system. (unset title) RSS Feed

In the first version of this work, both real-time processing of the instruments and playback of fixed media are employed. Only the following four performers are routed for real-time processing: soprano, percussion I, percussion II, and percussion III. The electronics are realized using two Apple laptop computers, designated “principal” and “sub.” The principal laptop is integrated into the audio console, while the sub laptop is placed on stage and connected to a power amplifier driving the transducers. The two laptops communicate via OpenSoundControl (OSC), allowing the sub program to be controlled and monitored from the principal laptop. The fixed-media audio is organized into nine-channel sound files, which are divided into two functional groups according to channel assignment : - one group is projected exclusively over the loudspeakers - the other is projected via five transducers and their associated support loudspeakers. The five transducers are each attached to one of five tam-tams positioned around the ensemble (three of these tam-tams are also played by the percussionists). The principal program, integrated into the audio console, is responsible both for the real-time processing of the instruments and for the playback of the sound files. The sub program is dedicated solely to the diffusion of the sound files. It accesses the same nine-channel sound files as the principal program; however, only channels 1–5 are routed to the outputs of the sub system. (unset title) RSS Feed https://antony-api.demo.logilab.fr/documentation/55999 https://antony-api.demo.logilab.fr/documentation/55999 In the first version of this work, both real-time processing of the instruments and playback of fixed media are employed. Only the following four performers are routed for real-time processing: soprano, percussion I, percussion II, and percussion III. The electronics are realized using two Apple laptop computers, designated “principal” and “sub.” The principal laptop is integrated into the audio console, while the sub laptop is placed on stage and connected to a power amplifier driving the transducers. The two laptops communicate via OpenSoundControl (OSC), allowing the sub program to be controlled and monitored from the principal laptop. The fixed-media audio is organized into nine-channel sound files, which are divided into two functional groups according to channel assignment : - one group is projected exclusively over the loudspeakers - the other is projected via five transducers and their associated support loudspeakers. The five transducers are each attached to one of five tam-tams positioned around the ensemble (three of these tam-tams are also played by the percussionists). The principal program, integrated into the audio console, is responsible both for the real-time processing of the instruments and for the playback of the sound files. The sub program is dedicated solely to the diffusion of the sound files. It accesses the same nine-channel sound files as the principal program; however, only channels 1–5 are routed to the outputs of the sub system. https://antony-api.demo.logilab.fr/documentation/55999 2026-03-09T09:14+00:00