# General Information "So Schnell, Zu Früh" is a work by Frédéric Durieux created in 1993. The premiere took place the 11-12-1993 at IRCAM's Espace de Projection. It is a work for ensemble and electronic. The electronic consists of real time audio effects and also audio samples. # Audio inputs 1. soprano 2. piano+percu1 (vibra) 3. mix percu2 4. tutti # Patch installation 1. Copy the SoSchnellZuFru2025 folder to your hard disk. 2. Add this folder path in Max File Preferences. 3. Restart Max. # Patch initialisation - Open the SoSchnellZuFruh2025.maxproj. - The main patch SoSchnellZuFruh2025.maxpat should open automatically. - Check the Midi connection. You should receive pedals informations (volume, sustain) and the keyboard notes. - Choose the midi input port corresponding to the keyboard. - Start the dsp. - Press the computer keyboard right arrow to init the patch. - Open the Follower sub-patch and open the “Manual trigger enable” toggle to activate MIDI controller triggering. The music is ready to start. All triggers are manual (by the computer music designer himself, or a musician with a MIDI controller). # Performance notes ## Electronic events - Bar 1/7 : "Clac" rebond sample pizz bartok. (frontal sound -diffusion) - 8/27 : marimba + flute sequences with spatialisation - 28/35 : "Clac" - 36/60 : marimba + flute sequences with spatialisation - 61 : "Bali" with low marimba + Clarinet - 64 : "Clac" - 65: keyboard sounds preset 2: hybrid flute (from explosante fixe) + reverb on keyboards - 76 : keyboard preset 1 - 76/179 : keyboards live transformations (harmonizer, freqshift) - 105 : keyboard preset 2 - 167 : keyboard preset 1 - 180 : "Clac" - 180/237 : flute sequences with repeated notes - rotations - 180/179 : vibra + marimba processed sequence - 186/189 : "Clac" - 194/204 : "Clac" pizz bartok - 196 : flute sound - 206 : rebonds in delay + spatialisation - 208/212 : "Clac" - 217 : rebonds in delay + spatialisation - 219/230 : "Clac" - 231 : rebonds in delay + spatialisation - 236/255 : transformed keyboard + Spatialisation - 258/284 : vibra+piano live transformations - 330 : voice transformation : reverb and spatialisation - 332/360 : live transformation on tutti orchestra + metalic -resonance, add more and more transformation at the mixing desk for a maximal effect at bar 358 - 358 : keyboard preset 2 # Annexe More informations in folder *Images-setup* : Global setup, Max audio status, Max patch presentation, Loudspeaker setup, (unset title) RSS Feed

# General Information "So Schnell, Zu Früh" is a work by Frédéric Durieux created in 1993. The premiere took place the 11-12-1993 at IRCAM's Espace de Projection. It is a work for ensemble and electronic. The electronic consists of real time audio effects and also audio samples. # Audio inputs 1. soprano 2. piano+percu1 (vibra) 3. mix percu2 4. tutti # Patch installation 1. Copy the SoSchnellZuFru2025 folder to your hard disk. 2. Add this folder path in Max File Preferences. 3. Restart Max. # Patch initialisation - Open the SoSchnellZuFruh2025.maxproj. - The main patch SoSchnellZuFruh2025.maxpat should open automatically. - Check the Midi connection. You should receive pedals informations (volume, sustain) and the keyboard notes. - Choose the midi input port corresponding to the keyboard. - Start the dsp. - Press the computer keyboard right arrow to init the patch. - Open the Follower sub-patch and open the “Manual trigger enable” toggle to activate MIDI controller triggering. The music is ready to start. All triggers are manual (by the computer music designer himself, or a musician with a MIDI controller). # Performance notes ## Electronic events - Bar 1/7 : "Clac" rebond sample pizz bartok. (frontal sound -diffusion) - 8/27 : marimba + flute sequences with spatialisation - 28/35 : "Clac" - 36/60 : marimba + flute sequences with spatialisation - 61 : "Bali" with low marimba + Clarinet - 64 : "Clac" - 65: keyboard sounds preset 2: hybrid flute (from explosante fixe) + reverb on keyboards - 76 : keyboard preset 1 - 76/179 : keyboards live transformations (harmonizer, freqshift) - 105 : keyboard preset 2 - 167 : keyboard preset 1 - 180 : "Clac" - 180/237 : flute sequences with repeated notes - rotations - 180/179 : vibra + marimba processed sequence - 186/189 : "Clac" - 194/204 : "Clac" pizz bartok - 196 : flute sound - 206 : rebonds in delay + spatialisation - 208/212 : "Clac" - 217 : rebonds in delay + spatialisation - 219/230 : "Clac" - 231 : rebonds in delay + spatialisation - 236/255 : transformed keyboard + Spatialisation - 258/284 : vibra+piano live transformations - 330 : voice transformation : reverb and spatialisation - 332/360 : live transformation on tutti orchestra + metalic -resonance, add more and more transformation at the mixing desk for a maximal effect at bar 358 - 358 : keyboard preset 2 # Annexe More informations in folder *Images-setup* : Global setup, Max audio status, Max patch presentation, Loudspeaker setup, (unset title) RSS Feed https://antony-api.demo.logilab.fr/documentation/56001 https://antony-api.demo.logilab.fr/documentation/56001 # General Information "So Schnell, Zu Früh" is a work by Frédéric Durieux created in 1993. The premiere took place the 11-12-1993 at IRCAM's Espace de Projection. It is a work for ensemble and electronic. The electronic consists of real time audio effects and also audio samples. # Audio inputs 1. soprano 2. piano+percu1 (vibra) 3. mix percu2 4. tutti # Patch installation 1. Copy the SoSchnellZuFru2025 folder to your hard disk. 2. Add this folder path in Max File Preferences. 3. Restart Max. # Patch initialisation - Open the SoSchnellZuFruh2025.maxproj. - The main patch SoSchnellZuFruh2025.maxpat should open automatically. - Check the Midi connection. You should receive pedals informations (volume, sustain) and the keyboard notes. - Choose the midi input port corresponding to the keyboard. - Start the dsp. - Press the computer keyboard right arrow to init the patch. - Open the Follower sub-patch and open the “Manual trigger enable” toggle to activate MIDI controller triggering. The music is ready to start. All triggers are manual (by the computer music designer himself, or a musician with a MIDI controller). # Performance notes ## Electronic events - Bar 1/7 : "Clac" rebond sample pizz bartok. (frontal sound -diffusion) - 8/27 : marimba + flute sequences with spatialisation - 28/35 : "Clac" - 36/60 : marimba + flute sequences with spatialisation - 61 : "Bali" with low marimba + Clarinet - 64 : "Clac" - 65: keyboard sounds preset 2: hybrid flute (from explosante fixe) + reverb on keyboards - 76 : keyboard preset 1 - 76/179 : keyboards live transformations (harmonizer, freqshift) - 105 : keyboard preset 2 - 167 : keyboard preset 1 - 180 : "Clac" - 180/237 : flute sequences with repeated notes - rotations - 180/179 : vibra + marimba processed sequence - 186/189 : "Clac" - 194/204 : "Clac" pizz bartok - 196 : flute sound - 206 : rebonds in delay + spatialisation - 208/212 : "Clac" - 217 : rebonds in delay + spatialisation - 219/230 : "Clac" - 231 : rebonds in delay + spatialisation - 236/255 : transformed keyboard + Spatialisation - 258/284 : vibra+piano live transformations - 330 : voice transformation : reverb and spatialisation - 332/360 : live transformation on tutti orchestra + metalic -resonance, add more and more transformation at the mixing desk for a maximal effect at bar 358 - 358 : keyboard preset 2 # Annexe More informations in folder *Images-setup* : Global setup, Max audio status, Max patch presentation, Loudspeaker setup, https://antony-api.demo.logilab.fr/documentation/56001 2026-03-09T09:14+00:00