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    <title>**General Information**

&quot;So Schnell, Zu Fruh&quot; is a work by Frédéric Durieux created in 1993. The premiere took place the 11-12-1993 at IRCAM&#39;s Espace de Projection. It is a work for ensemble and electronic. The electronic consists of real time audio effects and also audio samples.

**Setup**


&lt;img src=&quot;/Users/fouilloumalena/Downloads/soschnellzufruh_20231019121725669686.png&quot; alt=&quot;isolated&quot; width=&quot;200&quot;/&gt;

1. Audio inputs
2. soprano
3. piano+percu1 (vibra)
4. mix percu2
5. tutti

**Loudspeaker setup**

**Patch presentation**

**Patch installation**


- Copy the SoSchnellZuFru2025 folder to your hard disk.
- Add this folder path in Max File Preferences.
- Restart Max.

**Patch initialisation**
- Open the SoSchnellZuFruh2025.maxproj.
- The main patch SoSchnellZuFruh2025.maxpat should open automatically.
- Check the Midi connection. You should receive pedals informations (volume, sustain) and the keyboard notes.
- Choose the midi input port corresponding to the keyboard.
- Start the dsp.
- Press the computer keyboard right arrow to init the patch.
- Open the Follower sub-patch and open the “Manual trigger enable” toggle to activate MIDI controller triggering.

The music is ready to start. All triggers are manual (by the computer music designer himself, or a musician with a MIDI controller).

**Performance notes**

**Electronic events**

- Bar 1/7 : &quot;Clac&quot; rebond sample pizz bartok. (frontal sound diffusion)
- 8/27 : marimba + flute sequences with spatialisation
- 28/35 : &quot;Clac&quot;
- 36/60 : marimba + flute sequences with spatialisation
- 61 : &quot;Bali&quot; with low marimba + Clarinet
- 64 : &quot;Clac&quot;
- 65: keyboard sounds preset 2: hybrid flute (from explosante fixe) + reverb on keyboards
- 76 : keyboard preset 1
- 76/179 : keyboards live transformations (harmonizer, freqshift)
- 105 : keyboard preset 2
- 167 : keyboard preset 1
- 180 : &quot;Clac&quot;
- 180/237 : flute sequences with repeated notes - rotations
 -180/179 : vibra + marimba processed sequence
- 186/189 : &quot;Clac&quot;
- 194/204 : &quot;Clac&quot; pizz bartok
- 196 : flute sound
- 206 : rebonds in delay + spatialisation
- 208/212 : &quot;Clac&quot;
- 217 : rebonds in delay + spatialisation
- 219/230 : &quot;Clac&quot;
- 231 : rebonds in delay + spatialisation
- 236/255 : transformed keyboard + Spatialisation
- 258/284 : vibra+piano live transformations
 -330 : voice transformation : reverb and spatialisation
 -332/360 : live transformation on tutti orchestra + metalic resonance, add more and more transformation at the mixing desk for a maximal effect at bar 358
- 358 : keyboard preset 2 (unset title) RSS Feed</title>
    <description></description>
    <link>https://antony-api.demo.logilab.fr/documentation/56002</link>
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<guid isPermaLink="true">https://antony-api.demo.logilab.fr/documentation/56002</guid>
  <title>**General Information**

&quot;So Schnell, Zu Fruh&quot; is a work by Frédéric Durieux created in 1993. The premiere took place the 11-12-1993 at IRCAM&#39;s Espace de Projection. It is a work for ensemble and electronic. The electronic consists of real time audio effects and also audio samples.

**Setup**


&lt;img src=&quot;/Users/fouilloumalena/Downloads/soschnellzufruh_20231019121725669686.png&quot; alt=&quot;isolated&quot; width=&quot;200&quot;/&gt;

1. Audio inputs
2. soprano
3. piano+percu1 (vibra)
4. mix percu2
5. tutti

**Loudspeaker setup**

**Patch presentation**

**Patch installation**


- Copy the SoSchnellZuFru2025 folder to your hard disk.
- Add this folder path in Max File Preferences.
- Restart Max.

**Patch initialisation**
- Open the SoSchnellZuFruh2025.maxproj.
- The main patch SoSchnellZuFruh2025.maxpat should open automatically.
- Check the Midi connection. You should receive pedals informations (volume, sustain) and the keyboard notes.
- Choose the midi input port corresponding to the keyboard.
- Start the dsp.
- Press the computer keyboard right arrow to init the patch.
- Open the Follower sub-patch and open the “Manual trigger enable” toggle to activate MIDI controller triggering.

The music is ready to start. All triggers are manual (by the computer music designer himself, or a musician with a MIDI controller).

**Performance notes**

**Electronic events**

- Bar 1/7 : &quot;Clac&quot; rebond sample pizz bartok. (frontal sound diffusion)
- 8/27 : marimba + flute sequences with spatialisation
- 28/35 : &quot;Clac&quot;
- 36/60 : marimba + flute sequences with spatialisation
- 61 : &quot;Bali&quot; with low marimba + Clarinet
- 64 : &quot;Clac&quot;
- 65: keyboard sounds preset 2: hybrid flute (from explosante fixe) + reverb on keyboards
- 76 : keyboard preset 1
- 76/179 : keyboards live transformations (harmonizer, freqshift)
- 105 : keyboard preset 2
- 167 : keyboard preset 1
- 180 : &quot;Clac&quot;
- 180/237 : flute sequences with repeated notes - rotations
 -180/179 : vibra + marimba processed sequence
- 186/189 : &quot;Clac&quot;
- 194/204 : &quot;Clac&quot; pizz bartok
- 196 : flute sound
- 206 : rebonds in delay + spatialisation
- 208/212 : &quot;Clac&quot;
- 217 : rebonds in delay + spatialisation
- 219/230 : &quot;Clac&quot;
- 231 : rebonds in delay + spatialisation
- 236/255 : transformed keyboard + Spatialisation
- 258/284 : vibra+piano live transformations
 -330 : voice transformation : reverb and spatialisation
 -332/360 : live transformation on tutti orchestra + metalic resonance, add more and more transformation at the mixing desk for a maximal effect at bar 358
- 358 : keyboard preset 2</title>
  <link>https://antony-api.demo.logilab.fr/documentation/56002</link>
  <dc:date>2026-03-09T09:14+00:00</dc:date>
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